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Sunday, June 13, 1993 Arts Club Theatre & Performance Works
| Carmen Moore | Danceland | |
| Lee van Paassen | Molly Bloom | |
| Laurie Murdoch | Closer Than Ever | Arts Club Theatre |
| Wendy Noel | Lips Together, Teeth Apart | Vancouver Playhouse |
| Diane Brown | Danceland | |
| Doris Chilcott | The House of Bernarda Alba | |
| Shawn Macdonald | Paradise and the Wasteland | Tamahnous |
| Ruth Nichol | Closer Than Ever | Arts Club Theatre |
| Tamsin Kelsey | The Darling Family | Dark Horse |
| Michael Edwards | My Children! My Africa! | Vancouver Playhouse |
| Leslie Jones | Tough! | Green Thumb Theatre |
| Sibel Thrasher | Blues in the Night | Arts Club Theatre |
| Morris Panych | The Story of a Sinking Man | New Play Centre |
| Elizabeth Dancoes | Paradise and the Wasteland | Tamahnous |
| George F. Walker | Tough! | Green Thumb Theatre |
| Body of Work: Design |
Pearl Bellesen | Lips Together, Teeth Apart (set & costume design), Lend Me a Tenor (costume design) |
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| Body of Work: Set Design |
Ken MacDonald | The Story of a Sinking Man, My Children! My Africa! Death and the Maiden |
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| Body of Work: Lighting Design | Gerald King | Lips Together, Teeth Apart, Death and the Maiden |
Vancouver Playhouse |
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| Body of Work: Sound Design |
Greg Ruddell | Lips Together, Teeth Apart, Death and the Maiden |
Vancouver Playhouse |
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| Body of Work: Musical Direction |
Dorothy Dittrich | A Christmas Carol, All Grown Up, Berlin to Broadway |
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| Body of Work: Illustration |
Joe Average | Lend Me a Tenor, Flesh and Blood, Vancouver Theatre Guide | |
| Babz Chula, Vincent Gale, Rosy Frier-Dryden, Kim Kondrashoff, Ron Sauve, Nancy Sivak |
Beggars in the House of Plenty | Fend Players |
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| Patti Allan, Wendy Gorling, Tom McBeath, Earl Pastko, Alec Willows |
The Ends of the Earth | Arts Club Theatre |
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| Ellen Kennedy, Bonnie Panych, Lori Valleau |
All Grown Up | Arts Club Theatre |
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| Peter Anderson, Gina Bastone, Colin Heath, David Mackay, Wayne Specht, Beatrice Zeilinger, Roy Surette (director) |
The Number 14 | Axis/Touchstone |
| Beggars in the House of Plenty | Fend Players |
| Lips Together, Teeth Apart | Vancouver Playhouse |
| Much Ado About Nothing | Vancouver Playhouse |
| The Number 14 | Axis/Touchstone |
| Collective Concept & Writing Team | Melody Anderson, Peter Anderson, Gina Bastone, Colin Heath, David Mackay, Wayne Specht, Roy Surette, Beatrice Zeilinger |
The Number 14 | Axis/ Touchstone |
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| Outstanding season of provocative drama for young audiences |
Green Thumb Theatre | ||
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| Puppet Design and Construction | Ronnie Burkett | Seesaw | |
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| Lighting Design | Eduardo Meneses | Beggars in the House of Plenty | Fend Players |
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| Visual Realization |
Susan Madsen (set design) Del Surjik (lighting design) Nicole Dextras (costumes & props) Greg Ruddell (composer) Tim Matheson (projections) Sandhano Schultze (director) Roger Gaudet (assistant director) |
Polygraph | Pink Ink |
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| Set Design | Michael Schaldemose | Beirut | |
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| Outstanding commitment to adventurous and challenging work |
Tamahnous Theatre | ||
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| Mask Design and Construction |
Melody Anderson | The Number 14 | Axis/ Touchstone |
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| Musical Direction | Joseph Seserko | Voices of Christmas | New Play Centre |
| John Cooper | Lips Together, Teeth Apart | Vancouver Playhouse |
| Jane Heyman | Flesh and Blood | |
| Paul Crepeau | Beggars in the House of Plenty | Fend Players |
| Sherry Bie | Good Bye and Keep Cold | New Play Centre |
| Borja Brown (lighting), Nancy Bryant (costumes), Jeff Leese (video), Susan Madsen (set), Fred Michael (sound), Wendy Solloway (composer), Michael Wolski (props), eyebyte (graphics) |
Paradise and the Wasteland | Tamahnous |
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| Pam Johnson (set), Phillip Clarkson (costumes), Adrian Muir (lighting), Greg Ruddell (sound) |
Much Ado About Nothing | Vancouver Playhouse |
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| Ken MacDonald (set), Nancy Tait (costumes), Marsha Sibthorpe (lighting) |
The Ends of the Earth | Arts Club Theatre |
| Matthew Decter | Cyberteens In Love | New Play Centre |
| Katherine Schlemmer | Iceberg Lettuce | Touchstone |
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