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The 12th Annual Jessie Richardson Theatre Awards
Sunday, June 12, 1994 The Vogue Theatre |
| Bolded selections indicate winners. |
| Outstanding Performance by an Actor in a Leading Role |
| Todd Duckworth |
Contents Under Pressure |
New Play Centre |
| Randy Hughson |
Whale Riding Weather |
Touchston |
| Allan Morgan |
Lilies |
Pink Ink/Touchstone/Arts Club |
| Ron Sauve |
Jennie's Story |
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| Lee Taylor |
The Rainmaker |
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| Outstanding Performance by an Actress in a Leading Role |
| Kathleen Duborg |
Land(e)scapes |
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| Jennifer Fahrni |
The Crackwalker |
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| Patricia Hamilton |
If We Are Women |
Vancouver Playhouse |
| Tamsin Kelsey |
A Doll’s House |
Vancouver Playhouse |
| Marilyn Norry |
The Stone Angel |
Firehall |
|
| Outstanding Performance by an Actor in a Supporting Role |
| Jay Brazeau |
Criminals In Love |
Green Thumb Theatre |
| Craig Davidson |
Road |
Actors' Resource Group |
| Tom McBeath |
Road |
Actors' Resource Group |
| John Moffat |
Lilies |
Pink Ink/Touchstone/Arts Club |
| Howard Siegel |
The Diary of Anne Frank |
Carousel Theatre |
|
| Outstanding Performance by an Actress in a Supporting Role |
| Lorena Gale |
Age of Iron |
Firehall Theatre |
| Leslie Jones |
Criminals In Love |
Green Thumb Theatre |
| Ruth McIntosh |
If We Are Women |
Vancouver Playhouse |
| Nora McLellan |
Road |
Actors’ Resource Group |
| Wendy Noel |
A Doll’s House |
Vancouver Playhouse |
|
| Outstanding Original Play or Musical |
| Leslie Hamson |
Land(e)scapes |
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| Marie Humber Clements |
Age of Iron |
Firehall |
| Jones/Macdonald |
World’s Greatest Guy |
Arts Club/TheatreSports |
| David King |
Contents Under Pressure |
New Play Centre |
| Payne/Leadlay |
Raw Materials |
Tamahnous |
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| Outstanding Direction of a Play or Musical |
| Glynis Leyshon |
Puttin’ On the Ritz |
Gateway/Belfry |
| Neil Munro |
A Doll's House |
Vancouver Playhouse |
| Schultze/Surette |
Lilies |
Pink Ink/Touchstone/Arts Club |
| Kim Selody |
Contents Under Pressure |
New Play Centre |
| Nick Tattersall |
Laundry |
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| Outstanding Performance in a Musical |
| David Marr |
A Little of Wot You Fancy |
Vancouver Playhouse |
| Chancz Perry |
Black and Gold II |
Arts Club Theatre |
| Will Sanders |
When the Rains Come |
Arts Club Theatre |
| Allan Zinyk |
A Little of Wot You Fancy |
Vancouver Playhouse |
|
| Outstanding Sound Design or Original Composition |
| Agogo/Macaulay |
Whale Riding Weather |
Touchstone |
| Mortifee/Henderson |
When the Rains Come |
Arts Club Theatre |
| Joseph Seserko |
A Doll's House |
Vancouver Playhouse |
| Harris Van Berkel |
Contents Under Pressure |
New Play Centre |
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| Outstanding Musical Direction |
| Christopher Donison |
Puttin’' On the Ritz |
Gateway/Belfry |
| Ed Henderson |
When the Rains Come |
Arts Club Theatre |
| Joseph Seserko |
Voices of Christmas |
New Play Centre |
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| Outstanding Production of a Play or Musical |
| A Doll’s House |
Vancouver Playhouse |
| Lilies |
Pink Ink/Touchstone/Arts Club |
| Road |
Actors' Resource Group |
| Whale Riding Weather |
Touchstone |
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| Outstanding Set Design of a Play or Musical |
| Helen Jarvis |
A Little of Wot You Fancy |
Vancouver Playhouse |
| Pam Johnson |
Private Lives |
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| Kate King |
The Rainmaker |
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| Carole Klemm |
Road |
Actors’ Resource Group |
| David Roberts |
Whale Riding Weather |
Touchstone |
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| Outstanding Lighting Design of a Play or Musical |
| Gerald King |
A Doll’s House |
Vancouver Playhouse |
| Gerald King |
Whale Riding Weather |
Touchstone |
| Kevin Lamotte |
If We Are Women |
Vancouver Playhouse |
| Adrian Muir |
The Rainmaker |
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| Del Surjik |
A Live Bird In Its Jaws |
Pink Ink |
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| Outstanding Costume Design of a Play or Musical |
| Nancy Bryant |
Blowin' on Bowen |
Arts Club Theatre |
| Phillip Clarkson |
Private Lives |
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| Phillip Clarkson |
The Relapse |
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| Barbara Clayden |
Lilies |
Pink Ink/Touchstone/Arts Club |
| Kate King |
Cat on a Hot Tin Roof |
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| SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS |
Slide Design
& Photography |
Tim Matheson, Doug Bell,
and Martin Berkmann |
Land(e)scapes |
Tamahnous |
| _____________________________________________________________________________________ |
| Puppet Design |
Michael Wolski |
The Physik Cycle |
Dark Horse |
| _____________________________________________________________________________________ |
| Ensemble Cast |
Margaret Barton, Tom McBeath, David Cubitt, Jacqueline Dandeneau, Craig Davidson, Vincent Gale, Allan Grant, Pamela Haig, Nora McLellan, Don Noble, Heather Nurnberg, Nancy Sivak |
Road |
Actors' Resource Group |
| _____________________________________________________________________________________ |
| Lighting Design |
Alan Brodie |
New Play Festival |
New Play Centre |
| _____________________________________________________________________________________ |
Organization and support of playwrights
& development of playwriting in BC |
The Betty Lambert Society |
| _____________________________________________________________________________________ |
| Ensemble Cast |
Dan Costain, Bill Hosie, Marina Stephenson Kerr,
Eric Knight, Marlane O'Brien, Louise Rose |
Puttin’ On the Ritz |
Gateway/Belfry |
| _____________________________________________________________________________________ |
| Scenic Art |
Alix Rodrigues with Jonathan Blackshaw, Monika Wilkosz- Cowan and Susan Parker |
A Little of Wot
You Fancy |
Vancouver Playhouse |
| _____________________________________________________________________________________ |
| Fight Coordination |
Robert Metcalfe |
The Miracle Worker |
| _____________________________________________________________________________________ |
Multicultural Presentation:
The concept and production in English,
Cantonese, Spanish, & French |
Open Couple |
Fend Players |
| _____________________________________________________________________________________ |
Body of Work:
Design |
Robert Gardiner |
A Live Bird In Its Jaws (set, lighting),
Lilies (set) |
| _____________________________________________________________________________________ |
| Body of Work: Performance |
Vincent Gale |
Road, The Miracle Worker, Criminals In Love, The Relapse |
| _____________________________________________________________________________________ |
Leading a creative adventure with the production
The Creative Audience Prepares For the Holidays |
The Creative Audience Prepares for the Holidays |
Headlines Theatre |
| _____________________________________________________________________________________ |
Body of Work:
Lighting Design |
Rebekah Johnson |
The Physik Cycle, Age of Iron, Raw Materials,
The Collected Works of Billy the Kid |
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| Theatre for Young Audiences, Outstanding Production |
| Little Sister |
Green Thumb Theatre |
| Not Just Junk |
Axis Mime |
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| Theatre for Young Audiences, Outstanding Performance |
| Gary Folka |
Showdown |
Green Thumb Theatre |
| Nicole LeVasseur |
Little Sister |
Green Thumb Theatre |
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| Theatre for Young Audiences, Outstanding Set Design |
| Kate King |
Showdown |
Green Thumb Theatre |
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| Theatre for Young Audiences, Outstanding Original Script |
| John Lazarus |
Good Looking Friends |
Theatre Terrific |
| Joan MacLeod |
Little Sister |
Green Thumb Theatre |
| Jamie Norris |
Showdown |
Green Thumb Theatre |
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| Distinctive Mandate: Serving a community that otherwise has no outlet for their work to be seen |
| Theatre Terrific |
| Sydney Risk Award for Original Script by an Emerging Playwright |
| Linda A. Carson |
Dying to Be Thin |
Carousel Theatre |
| Marie Humber |
Clements Age of Iron |
Firehall |
| Jamie Norris |
Showdown |
Green Thumb Theatre |
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| The Mary Phillips Prize |
| Dawn Brennan |
| Vancouver Professional Theatre Alliance Award |
| John Brockington |
| Innovation Award |
| Dr. Tom Perry |
| The Sam Payne Award for Most Promising Newcomer |
| Laara Sadiq |
| The Community Recognition Award |
| Allan Gray |
| The Ray Michal Award |
| Katrina Dunn |
| The Sun Readers’ Choice Award |
| Chancz Perry |
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