|
|
|
| |
| |
| |
| |
The 19th Annual Jessie Richardson Theatre Awards
Sunday, June 10, 2001 The Commodore Ballroom |
| Bolded selections indicate winners. |
| LARGE THEATRE |
| Outstanding Performance by an Actor in a Leading Role: Large Theatre |
| Mark Hildreth |
Candida |
Vancouver Playhouse |
| Peter Jorgensen |
She Loves Me |
Arts Club Theatre |
| Tom McBeath |
Guys and Dolls |
Vancouver Playhouse |
| Allan Morgan |
The Coronation Voyage |
Vancouver Playhouse |
| Todd Thompson |
Kilt |
Playhouse/Touchstone |
|
| Outstanding Performance by an Actress in a Leading Role: Large Theatre |
| Jennifer Clement |
Candida |
Vancouver Playhouse |
| Leslie Jones |
The Mystery of irma Vep |
Arts Club Theatre |
| Karin Konoval |
Guys and Dolls |
Vancouver Playhouse |
| Seana McKenna |
Wit |
Vancouver Playhouse |
| Katey Wright |
She Loves Me |
Arts Club Theatre |
|
| Outstanding Performance by an Actor in a Supporting Role: Large Theatre |
| David Marr |
All’s Well That Ends Well |
Bard on the Beach |
| David Marr |
She Loves Me |
Arts Club Theatre |
| Stephen E. Miller |
Guys and Dolls |
Vancouver Playhouse |
| Alex Poch-Goldin |
Wit |
Vancouver Playhouse |
| Tom Rooney |
The Beauty Queen of Leenane |
Vancouver Playhouse |
|
| Outstanding Performance by an Actress in a Supporting Role: Large Theatre |
| Lois Anderson |
Candida |
Vancouver Playhouse |
| Joy Coghill |
Wit |
Vancouver Playhouse |
| Bridget O'Sullivan |
All’s Well That Ends Well |
Bard on the Beach |
| Bridget O'Sullivan |
Kilt |
Playhouse/Touchstone |
| Kerry Sandomirsky |
Unity (1918) |
Touchstone |
|
| Outstanding Sound Design or Original Composition: Large Theatre |
| John McCulloch |
Art |
Arts Club Theatre |
| John McCulloch |
The Mystery of Irma Vep |
Arts Club Theatre |
| Patrick Pennefather |
Unity (1918) |
Touchstone |
| Ian Rye |
Kilt |
PlayhouseTouchstone |
|
| Outstanding Set Design: Large Theatre |
| Robert Gardiner |
Unity (1918) |
Touchstone |
| Pam Johnson |
Wit |
Vancouver Playhouse |
| Ken MacDonald |
Art |
Arts Club Theatre |
| Ken MacDonald |
The Mystery of Irma Vep |
Arts Club Theatre |
| Marti Wright |
Candida |
Vancouver Playhouse |
|
| Outstanding Lighting Design: Large Theatre |
| Alan Brodie |
Art |
Arts Club Theatre |
| Martin Conboy |
The Beauty Queen of Leenane |
Vancouver Playhouse |
| Kevin Lamotte |
Wit |
Vancouver Playhouse |
| Kevin McAllister |
All's Well That Ends Well |
Bard on the Beach |
| Marsha Sibthorpe |
She Loved Me |
Arts Club Theatre |
|
| Pearl Bellesen Award for Outstanding Costume Design: Large Theatre |
| Nancy Bryant |
She Loved Me |
Arts Club Theatre |
| Mara Gottler |
All's Well That Ends Well |
Bard on the Beach |
| Mara Gottler |
Unity (1918) |
Touchstone |
| Alison Green |
Amadeus |
Arts Club Theatre |
| John Pennoyer |
The Coronation Voyage |
Vancouver Playhouse |
|
| Larry Lillo Award for Outstanding Direction: Large Theatre |
| Bill Dow |
Candida |
Vancouver Playhouse |
| Katrina Dunn |
Unity (1918) |
Touchstone |
| Glynis Leyshon |
Wit |
Vancouver Playhouse |
| Morris Panych |
She Loves Me |
Arts Club Theatre |
| Miles Potter |
All's Well That Ends Well |
Bard on the Beach |
|
| Outstanding Production: Large Theatre |
| All’s Well That Ends Well |
Bard on the Beach |
|
| Candida |
Vancouver Playhouse |
|
| She Loves Me |
Arts Club Theatre |
|
| Unity (1918) |
Touchstone |
|
| Wit |
Vancouver Playhouse |
|
|
| SMALL THEATRE |
| Outstanding Performance by an Actor in a Leading Role: Small Theatre |
| Donald Adams |
Kicked |
Touchstone |
| Andrew Laurenson |
Box 2 |
Radix |
| Bill MacDonald |
Frankie & Johnny... |
Claire de Lune |
| Tom McBeath |
The Waterhead |
Solo Collective |
| Jamie Norris |
Popcorn |
Sea Theatre |
|
| Outstanding Performance by an Actress in a Leading Role: Small Theatre |
| Gina Chiarelli |
Frankie & Johnny... |
Claire de Lune |
| Kendra Fanconi |
Box 2 |
Radix |
| Wendy Noel |
Brown Wasp |
Solo Collective |
| Dawn Petten |
Popcorn |
Sea Theatre |
| Jackie Richardson |
Big Mama! The Willie Mae Thornton Story |
Gateway Theatre |
|
| Outstanding Performance by an Actor In a Supporting Role: Small Theatre |
| Donald Adams |
Dona Flor and Her Two Husbands |
Electric Company |
| Rick Dobran |
Dona Flor and Her Two Husbands |
Electric Company |
| Kennedy Goodkey |
Science and Madness |
Epicentre Theatre |
| Kevin MacDonald |
The Shooting Stage |
Firehall |
| James O'Shea |
The Lonely Cowboy |
Pi Theatre |
| Clarence Sponagle |
The Shooting Stage |
Firehall |
|
| Outstanding Performance by an Actress In a Supporting Role: Small Theatre |
| Lois Anderson |
Leaky Heaven Circus: Typhoon! |
NeWorld Theatre |
| Manon Beaudoin |
Leaky Heaven Circus: Typhoon! |
NeWorld Theatre |
| Kathleen Duborg |
Be Still |
Gateway Theatre |
| Sarah Rodgers |
Popcorn |
Sea Theatre |
| Carolyn Tweedle |
The Foreigner |
Pacific Theatre |
|
| Outstanding Sound Design or Original Composition |
| Jorrit Dijkstra |
Down Dangerous Passes Road |
Ruby Slippers |
| Dorothy Dittrich |
The Shooting Stage |
Firehall |
| Noah Drew |
Be Still |
Gateway Theatre |
| Noah Drew |
Kicked |
Touchstone |
| Alison Jenkins / Wyckham Porteous |
Leaky Heaven Circus: Typhoon! |
NeWorld Theatre |
|
| Outstanding Set Design: Small Theatre |
| Robert Gardiner |
The Unnatural and Accidental Women |
Firehall |
| Andreas Kahre |
Three in the Back, Two in the Head |
Pi/Rumble |
| Michelle Porter |
Necropolis |
Yorick Theatre |
| David Roberts |
Be Still |
Gateway Theatre |
| David Roberts |
RubyCab 2000 |
Ruby Slippers |
|
| Outstanding Lighting Design: Small Theatre |
| Shane Droucker |
Kicked |
Touchstone |
| Gerald King |
Be Still |
Gateway Theatre |
| Adrian Muir |
Down Dangerous Passes Road |
Ruby Slippers |
| Owen Schellenberger |
La Nuit |
Theatre la Seizieme |
| Del Surjik |
Three in the Back, Two in the Head |
Pi/Rumble |
|
| Outstanding Costume Design: Small Theatre |
| Mara Gottler |
Necropolis |
Yorick Theatre |
| Kate King |
RubyCab 2000 |
Ruby Slippers |
| Christine Reimer |
Dona Flor and Her Two Husbands |
Electric Company |
| Marina Szijarto |
Leaky Heaven Circus: Typhoon! |
NeWorld Theatre |
| Sheila White |
Be Still |
Gateway Theatre |
|
| Larry Lillo Award for Outstanding Direction: Small Theatre |
| Norman Armour |
Three in the Back, Two in the Head |
Pi/Rumble |
| Katrina Dunn |
Kicked |
Touchstone |
| Craig Hall |
Box 2 |
Radix |
| Del Surjik |
The Lonely Cowboy |
Pi Theatre |
| Del Surjik |
The Waterhead |
Solo Collective |
|
| Outstanding Original Play or Musical: Small Theatre |
| Aaron Bushkowsky |
The Waterhead |
Solo Collective |
| Cloutier/Holzschuh/Jean/Poll |
La Nuit |
Theatre la Seizieme |
| Fanconi/Hall/Laurenson/Ternes |
Box 2 |
Radix |
| Michael Lewis MacLennan |
The Shooting Stage |
Firehall |
| Janet Munsil |
Be Still |
Gateway Theatre |
|
| Outstanding Production: Small Theatre |
| Box 2 |
Radix |
|
| Kicked |
Touchstone |
|
| The Lonely Cowboy |
Pi Theatre |
|
| Three By Three |
Solo Collective |
|
| Three in the Back, Two in the Head |
Pi/Rumble |
|
|
| FESTIVAL THEATRE: SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS |
| Design |
Lois Anderson and
Cathy Stubington |
Anouska and Rosa Go to Find the Sun |
Runaway Moon |
| ____________________________________________________________________________________ |
| Original Script |
Rick Dobran |
The Best Restaurant... |
Service Industry Collective |
| ____________________________________________________________________________________ |
| Design Team |
Noah Drew (sound)
Shane Droucker (lighting)
Brad McNeil (video)
Yvan Morissette (set) |
Persephone’s Seasons |
Tandem/Origins |
| ____________________________________________________________________________________ |
| Conceptualization |
Erin Wells |
Blueprints for Disaster (Rumble) and
Persephone’s Seasons (Tandem/Origins) |
|
| LARGE THEATRE: SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS |
| Orchestra |
Doug Balfour, Paul Baron,
Graham Boyle, Tom Colclough, Victor Costanzi, Miles Foxx Hill,
Eric Knight, David Pell and
Craig Scott |
Hotel Porter |
Arts Club Theatre |
| ____________________________________________________________________________________ |
Ensemble
Performance |
Chris Bolan, Courtenay Dobbie, Colin Heath, Terra MacLeod,
Bonnie Panych, Robert Perrault, Christopher Thornley and
Seana-Lee Wood |
She Loves Me |
Arts Club Theatre |
| ____________________________________________________________________________________ |
| Wig Design |
Stacey Butterworth |
All's Well That Ends Well, Henry IV pt 1, and
The Tempest |
Bard on the Beach |
| ____________________________________________________________________________________ |
Quick Change
Dressers |
Danny Frank, Zoe Sanborn,
Anne Taylor and Paula Turner |
The Mystery of Irma Vep |
Arts Club Theatre |
| ____________________________________________________________________________________ |
| Musical Direction |
Bruce Kellett |
She Loves Me |
Arts Club Theatre |
| ____________________________________________________________________________________ |
| Original Script |
Kevin Kerr |
Unity (1918) |
Touchstone |
| ____________________________________________________________________________________ |
| Scenic Painting |
Bryan Pollock |
Unity (1918) |
Touchstone |
| ____________________________________________________________________________________ |
Sound
Improvisation |
Laura Skelton |
Impro-vivor |
TheatreSports |
|
| SMALL THEATRE: SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS |
Ensemble
Improvisational
Musical Performance |
Toby Berner, Niki Boyd,
Diana Frances, David C. Jones,
Brad McNeil, Steve Overy,
Patrick Pennefather and
Tallulah Winkleman |
Blankety Blank:
The Unknown Musical |
Rock Paper Scissors |
| ____________________________________________________________________________________ |
Live Musical
Performance |
Miles Biglow, Pepe Danza,
Russ Klyne & Andre Lachance |
Dona Flor and Her Two Husbands |
Electric Company |
| ____________________________________________________________________________________ |
Overall Production
Design |
Barbara Clayden (costumes)
Noah Drew (sound)
Tim Matheson (projections)
David Roberts (set/props)
Del Surjik (lighting) |
The Lonely Cowboy |
Pi Theatre |
| ____________________________________________________________________________________ |
Stage Management
Under Exceptional
Circumstances |
Jan Hodgson |
Dona Flor and Her Two Husbands |
Electric Company |
| ____________________________________________________________________________________ |
| Musical Direction |
Karen Parent |
Tent Meeting |
|
| ____________________________________________________________________________________ |
| Videography |
Katheryn Petersen |
Box 2 |
Radix |
| ____________________________________________________________________________________ |
| Musical Direction |
Tim Williams |
Big Mama! The Willie Mae Thornton Story |
Gateway Theatre |
|
| THEATRE FOR YOUNG AUDIENCES |
| Outstanding Production of a Play or Musical |
Sponsored by the Canada Council for the Arts
| Derwent Is Different |
Green Thumb Theatre |
| My Game |
Carousel Theatre |
| The Treemendous Journey |
Mortal Coil |
|
| TYA SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS |
Costume Design & Execution |
Cecilia Boiser, Denise Galay,
Rick Holloway, Carrie Nimmo,
Andra Norton-Liphar, Carmen Rosen, Marina Szijart, Bessie Wapp, Dorrie Williams and Linde Zingaro |
The Treemendous Journey |
Mortal Coil |
| ____________________________________________________________________________________ |
| Costume Design |
Tricia Boyko, Joshana Craig and Narda McCarroll |
The Hobbit |
Carousel Theatre |
| ____________________________________________________________________________________ |
| Musical Direction |
Nicholas Coulter |
The Treemendous Journey |
Mortal Coil |
| ____________________________________________________________________________________ |
| Performance |
Scott Fee |
My Gane |
Carousel Theatre |
| ____________________________________________________________________________________ |
| Direction |
Patrick McDonald |
Derwent Is Different |
Green Thumb Theatre |
| ____________________________________________________________________________________ |
| Performance |
Jenny Young |
The Field |
Axis Theatre |
| ____________________________________________________________________________________ |
| Performance |
Allan Zinyk |
Derwent Is Different |
Green Thumb Theatre |
|
| INDIVIDUAL AWARDS AND PRIZES |
| The Mary Phillips Prize |
| Louis-Marie Bournival |
| Greater Vancouver Professional Theatre Alliance Career Achievement Award |
| Elizabeth Ball |
| Sydney Risk Award |
| Kevin Kerr |
Unity (1918) |
Touchstone |
| Janet Munsil |
Be Still |
Gateway Theatre |
| Rick Dobran |
The Best Restaurant... |
Service Industry Collective |
|
| The Sam Payne Award |
| Clarence Sponagle |
| The Ray Michal Award |
| John James Hong |
| Patron of the Arts Award |
| Telus |
| The Sun Readers’ Choice Award |
| All’s Well That Ends Well (Bard on the Beach) |
_______________________________________________________________________________________
|
|
_____________________________________________________________________________________________________
|
|
| |
|
|