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The 20th Annual Jessie Richardson Theatre Awards
Sunday, June 16, 2002 The Commodore Ballroom |
| Bolded selections indicate winners. |
| LARGE THEATRE |
| Outstanding Performance by an Actor in a Leading Role: Large Theatre |
| David Fox |
The Drawer Boy |
The Vancouver Playhouse |
| Jerry Franken |
The Drawer Boy |
Vancouver Playhouse |
| William MacDonald |
The Taming of the Shrew |
Bard on the Beach |
| David Marr |
Elizabeth Rex |
Arts Club Theatre |
| Gerard Plunkett |
My Fair Lady |
Arts Club Theatre |
|
| Outstanding Performance by an Actress in a Leading Role: Large Theatre |
| Jillian Fargey |
The Taming of the Shrew |
Bard on the Beach |
| Leslie Jones |
Girl in the Goldfish Bowl |
Arts Club Theatre |
| Jennifer Lines |
The Two Gentlemen of Verona |
Bard on the Beach |
| Gabrielle Rose |
Elizabeth Rex |
Arts Club Theatre |
| Jenny Young |
The Shape of a Girl |
Green Thumb Theatre |
|
| Outstanding Performance by an Actor in a Supporting Role: Large Theatre |
| Bernard Cuffling |
My Fair Lady |
Arts Club Theatre |
| Dion Johnstone |
Antony and Cleopatra |
Bard on the Beach |
| David Marr |
The Two Gentlemen of Verona |
Bard on the Beach |
| Robert Moloney |
All My Sons |
Arts Club Theatre |
| Allan Zinyk |
Falsettos |
Skycorner Productions |
|
| Outstanding Performance by an Actress in a Supporting Role: Large Theatre |
| Ellen-Ray Hennessy |
The Edible Woman |
Vancouver Playhouse |
| Laurie Paton |
All My Sons |
Arts Club Theatre |
| Heather Redmond |
The Two Gentlemen of Verona |
Bard on the Beach |
| Nicole Robert |
Wildcat |
Gateway Theatre |
| Meredith Bain Woodward |
Girl in the Goldfish Bowl |
Arts Club Theatre |
|
| Outstanding Sound Design or Original Composition: Large Theatre |
| Marc Desormeaux |
The Drawer Boy |
The Vancouver Playhouse |
| Ed Henderson |
Elizabeth Rex |
Arts Club Theatre |
| John McCulloch |
Girl in the Goldfish Bowl |
Arts Club Theatre |
| Carl Polke |
Flying Blind |
Axis Theatre & Arts Club Theatre |
| Ian Tamblyn |
The Shape of a Girl |
Green Thumb Theatre |
|
| Outstanding Set Design: Large Theatre |
| Yvan Morissette |
Hosanna |
Touchstone Theatre |
| Scott Reid |
The Shape of a Girl |
Green Thumb Theatre |
| Ted Roberts |
Elizabeth Rex |
Arts Club Theatre |
| Ian Rye |
Flying Blind |
Axis Theatre & Arts Club Theatre |
| Phillip Tidd |
Wildcat |
The Gateway Theatre |
|
| Outstanding Lighting Design: Large Theatre |
| Kevin Fraser |
The Drawer Boy |
The Vancouver Playhouse |
| Robert Gardiner |
Emphysema (A Love Story) |
Touchstone Theatre |
| Gerald King |
The Two Gentlemen of Verona |
Bard on the Beach |
| Marsha Sibthorpe |
Ain't Misbehavin' |
Arts Club Theatre |
| Del Surjik |
Elizabeth Rex |
Arts Club Theatre |
|
| Pearl Bellesen Award for Outstanding Costume Design: Large Theatre |
| Melody Anderson |
Flying Blind |
Axis Theatre & Arts Club Theatre |
| Phillip Clarkson |
My Fair Lady |
Arts Club Theatre |
| Mara Gottler |
Emphysema (A Love Story) |
Touchstone Theatre |
| Mara Gottler |
The Taming of the Shrew |
Bard on the Beach |
| Alison Green |
Elizabeth Rex |
Arts Club Theatre |
|
| Larry Lillo Award for Outstanding Direction of a Play or Musical: Large Theatre |
| John Cooper |
All My Sons |
Arts Club Theatre |
| Dean Paul Gibson |
The Two Gentlemen of Verona |
Bard on the Beach |
| Glynis Leyshon |
The Taming of the Shrew |
Bard on the Beach |
| Miles Potter |
The Drawer Boy |
Vancouver Playhouse |
| Janet Wright |
Elizabeth Rex |
Arts Club Theatre |
|
| Outstanding Original Play or Musical: Large Theatre |
| Simon Johnston |
Wildcat |
Gateway Theatre |
| Joan MacLeod |
The Shape of a Girl |
Green Thumb Theatre |
| Morris Panych |
Girl in the Goldfish Bowl |
Arts Club Theatre |
|
| Outstanding Production: Large Theatre |
| All My Sons |
Arts Club Theatre |
|
| The Drawer Boy |
Vancouver Playhouse |
|
| Elizabeth Rex |
Arts Club Theatre |
|
| The Shape of a Girl |
Green Thumb Theatre |
|
| Two Gentlemen of Verona |
Bard on the Beach |
|
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| SMALL THEATRE |
| Outstanding Performance by an Actor in a Leading Role: Small Theatre |
| Jay Brazeau |
Wawatay |
Firehall Arts Centre |
| Adam Henderson |
The Resistible Rise of Arturo Ui |
The Mentor's Co-op |
| Michael Douglas Jones |
120 Songs for the Marquis
de Sade |
Modern Baroque Opera,
a co-production with Vancouver New Music |
| Kevin MacDonald |
Disco Pigs |
Pi Theatre |
| Dirk Van Stralen |
Cariboo Magi |
Pacific Theatre |
|
| Outstanding Performance by an Actress in a Leading Role: Small Theatre |
| Karin Konoval |
Opiate Karim |
NeWorld Theatre |
| Jennifer Murray |
Spektator |
Battery Opera |
| Marilyn Norry |
The Impromptu of Outremont |
Sea Theatre |
| Linda Quibell |
Und |
Felix Culpa |
| Ann Shisko |
Salmon Miranda |
In The Bones Co-op |
|
| Outstanding Performance by an Actor In a Supporting Role: Small Theatre |
| David Adams |
Opiate Karim |
NeWorld Theatre |
| Lawrence Cotton |
120 Songs for the Marquis
de Sade |
Modern Baroque Opera,
a co-production with Vancouver New Music |
| Marcus Hondro |
Burning Vision |
Rumble Productions |
| James Long |
Hold Your Head Tight |
Boca del Lupo |
| Ian Robison |
Sight Unseen |
Passion Play Productions |
|
| Outstanding Performance by an Actress In a Supporting Role: Small Theatre |
| Jessica Heafey |
Cendres de cailloux |
Le Theatre La Seizieme |
| Wendy Noel |
The Dead Reckoning |
The Vancouver Playhouse |
| Tracey Erin Smith |
The One That Got Away |
The Electric Company |
| Bessie Wapp |
Sucker Falls |
Ruby Slippers, a co-production with Touchstone Theatre & Vancouver Moving Theatre |
| Maiko Bae Yamamoto |
The Yoko Ono Project |
Firehall Arts Centre |
|
| Outstanding Sound Design or Original Composition |
| Noah Drew |
Burning Vision |
Rumble Productions |
| Noah Drew |
The Yoko Ono Project |
Firehall Arts Centre |
| Electric Company |
Flop |
The Electric Company |
| Patrick Pennefather |
Und |
Felix Culpa |
David Hudgins, Cameron Shook & Wendy Stuart |
The One That Got Away |
The Electric Company |
|
| Outstanding Lighting Design: Small Theatre |
| Shane Droucker |
Footfalls |
Rumble Productions |
| Shane Droucker |
The One That Got Away |
The Electric Company |
Adrian Muir |
Flop |
The Electric Company |
| James Proudfoot |
Spektator |
Battery Opera |
| John Webber |
Burning Vision |
Rumble Productions |
|
| Outstanding Costume Design: Small Theatre |
| Jay Dodge |
Hold Your Head Tight |
Boca del Lupo |
| Omanie Elias |
The Yoko Ono Project |
Firehall Arts Centre |
| Thomas Hassmann |
120 Songs for the Marquis de Sade |
Modern Baroque Opera,
a co-production with Vancouver New Music |
Kirsten McGhie
& Marina Szijarto |
The One That Got Away |
The Electric Company |
| Kate King |
Und |
Felix Culpa |
| Owen Schellenberger |
Disco Pigs |
Pi Theatre |
|
| Larry Lillo Award for Outstanding Direction: Small Theatre |
| Kim Collier |
The One That Got Away |
The Electric Company |
| Peter Hinton |
Burning Vision |
Rumble Productions |
| Donna Spencer |
Wawatay |
Firehall Arts Centre |
| Del Surjik |
Disco Pigs |
Pi Theatre |
| Sherry J Yoon |
Hold Your Head Tight |
Boca del Lupo |
|
| Outstanding Original Play or Musical: Small Theatre |
| Aaron Bushkowsky |
The Dead Reckoning |
The Vancouver Playhouse |
| Marie Clements |
Burning Vision |
Rumble Productions |
| Kendra Fanconi |
The One That Got Away |
The Electric Company |
| Lucia Frangione |
Cariboo Magi |
Pacific Theatre |
| Penny Gummerson |
Wawatay |
Firehall Arts Centre |
|
| Outstanding Production: Small Theatre |
| Burning Vision |
Rumble Productions |
|
| Hold Your Head Tight |
Boca del Lupo |
|
| On the Open Road |
Sea Theatre |
|
| The One That Got Away |
The Electric Company |
|
| Wawatay |
Firehall Arts Centre |
|
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| SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS: LARGE THEATRE |
Collective
Creation |
Lois Anderson, Peter Anderson,
Debra Iris Batton, Manon Beaudoin, Alexandra Harrison, Colin Heath, Veronica Neave, Carl Polke, Brendan Shelper & Roy Surette |
Flying Blind |
Axis Theatre & Arts Club Theatre |
| ___________________________________________________________________________________ |
Innovative
Programming |
Innovative Programming in Producing Flying Blind in collaboration with the Belfry Theatre and Legs on the Wall |
Flying Blind |
Axis Theatre
& Arts Club Theatre |
| ___________________________________________________________________________________ |
| Dog Wrangling |
Resa Assimes & Jinx |
The Two Gentlemen of Verona |
Bard on the Beach |
| ___________________________________________________________________________________ |
Costume
Construction |
Linda Chow, Linda Findlay,
Mitchell Mackay & Patricia Smith (Cutters); Jillian Little, Christine Pampel, Benoit Richard & Alison Roy (First Hands); Karen Bates, Kate Burrows, Jodi Jacyk, Diane Leblanc, Catherine Seiler & Connie Stettner (Sewers) |
Antony and Cleopatra, The Taming of the Shrew & The Two Gentlemen of Verona |
Bard on the Beach |
| ___________________________________________________________________________________ |
| Dedication and Achievement in Continued Artistic Direction and Development of Bard on the Beach |
Christopher Gaze |
|
| ___________________________________________________________________________________ |
Musical
Direction |
Scott Knight |
Falsettos |
Skycorner Productions |
| ___________________________________________________________________________________ |
Ensemble
Performance |
Steve Maddock, Lindsay Sterk, Sanders Whiting & Jonathan Winsby
as "The Loverly Quartet" |
My Fair Lady |
Arts Club Theatre Company |
|
| SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS: SMALL THEATRE |
| Wig Design |
Steven Brown |
120 Songs for the Marquis de Sade |
Modern Baroque Opera,
a co-production with Vancouver New Music |
| ___________________________________________________________________________________ |
Musical Composition & Arrangement |
Camyar Chai, David Rhymer,
James Fagan Tait & Marguerite Witvoet |
Opiate Karim |
NeWorld Theatre |
| ___________________________________________________________________________________ |
Ensemble
Performance |
Judi Closkey, Courtenay Dobbie, Jan Kudelka, Jonathon Young & Allan Zinyk as "The Widows" |
The One That Got Away |
The Electric Company |
| ___________________________________________________________________________________ |
| Projection Design |
Tim Matheson |
The Yoko Ono Project |
Firehall Arts Centre |
| ___________________________________________________________________________________ |
Artistic Ensemble
in the Production
of a Short Play |
Patrick McDonald (Director), Jamie Norris (Playwright)
& Michael P. Northey (Actor) |
Samaritan |
Solo Collective |
| ___________________________________________________________________________________ |
Innovative Selection
and Use of Venue |
|
bewildered |
Radix Theatre |
| ___________________________________________________________________________________ |
| Choreography |
Lee Su-Feh |
Spektator |
Battery Opera |
|
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| THEATRE FOR YOUNG AUDIENCES |
| Outstanding Performance |
| Melanie Bray (Actor) |
Comment devenir parfait
en trois jours |
Le Theatre La Seizieme |
| Craig Davidson (Actor) |
Anne |
Carousel Theatre Company |
| Noah Lepawsky (Actor) |
Derwent Is Different |
Green Thumb Theatre for Young People |
| Deb Pickman (Actor) |
One in a Million |
Green Thumb Theatre for Young People |
Naveeta Ram (Dancer),
Neelamjit Singh Dhillon (Musician) & Adrienne Wong (Storyteller & Actor) |
Tales from the Ramayana |
Vancouver Moving Theatre |
|
| Outstanding Design |
| Noah Drew (Sound Design) |
Comment devenir parfait
en trois jours |
Le Theatre La Seizieme |
| Ken MacDonald (Set Design) |
One in a Million |
Green Thumb Theatre |
| Paul Moniz de Sa (Sound Design) |
One in a Million |
Green Thumb Theatre |
| Bryan Pollock (Set Design) |
Anne |
Carousel Theatre |
| Bryan Pollock (Set Design) |
The Boy in the Treehouse |
Carousel Theatre |
|
| Outstanding Artistic Creation |
| Hal Foxton Beckett (Composition) |
Fire...Where There's Smoke |
DanceArts Vancouver |
| Jennifer Brewin (Direction) |
One in a Million |
Green Thumb Theatre |
| Noah Drew (Composition) |
Comment devenir parfait
en trois jours |
Le Theatre La Seizieme |
| Chris McGregor (Direction) |
My Game |
Carousel Theatre |
| Neelamjit Singh Dhillon (Composition) |
Tales from the Ramayana |
Vancouver Moving Theatre |
|
Outstanding Production
Sponsored by the Canada Council for the Arts. |
| One in a Million |
Green Thumb Theatre |
|
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| SIGNIFICANT ARTISTIC ACHIEVEMENT NOMINATIONS: TYA |
| Body of Research |
Fire... Where There's Smoke |
DanceArts Vancouver |
| ___________________________________________________________________________________ |
Community Contribution
(community outreach, resource booklet, post show discussion
and support) |
Fire... Where There's Smoke |
DanceArts Vancouver |
| ___________________________________________________________________________________ |
| Integrated Use of Multi-Media |
Fire... Where There's Smoke |
DanceArts Vancouver |
| ___________________________________________________________________________________ |
Continuing contributions to, and
development of, Theatre for Young
Audiences through outstanding tour
direction and co-ordination in the
face of financial cutbacks and other restraints |
Sylvie Bonin-du Charme (Theatre La Seizieme)
Daniel Dolan (Green Thumb Theatre for Young People)
Terry Hunter (Vancouver Moving Theatre)
Mary Lavelle (Axis Theatre)
Judith Marcuse & Rob Poelvoorde (DanceArts Vancouver) & Sarah Nixey (Carousel Theatre) |
| ___________________________________________________________________________________ |
| Cultural Exchange & Education |
Tales from the Ramayana |
Vancouver Moving Theatre |
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| INDIVIDUAL AWARDS AND PRIZES |
| The Mary Phillips Prize for Behind the Scenes Achievement |
| Stephanie Hargreaves |
Greater Vancouver Professional Theatre Alliance Career Achievement Award
Sponsor: The Jessie Richardson Theatre Award Society |
| Wayne Specht |
| Sydney Risk Award |
| Kendra Fanconi |
The One That Got Away |
The Electric Company |
| Lucia Frangione |
Cariboo Magi |
Pacific Theatre |
| Penny Gummerson |
Wawatay |
Firehall Arts Centre |
|
| The Sam Payne Award for Most Promising Newcomer |
| Jenny Young |
| Playwrights Theatre Centre Award |
| Carmen Aguirre |
Gordon Armstrong Theatre Artist Rent Award
Sponsor: Origins Theatre Projects |
First Place: Victoria Maxwell
Special Mention: Susan Bertoia |
| The Ray Michal Award for Outstanding Work &/or Body of Work by an Emerging Director |
| Dean Paul Gibson |
John Moffat & Larry Lillo Award
presented to a West Coast theatre artist for a project or course of study |
| Dennis Simpson |
Patron of the Arts Award
Sponsor: Telus |
| CMHC |
| The Vancouver Sun Critics’ Choice Innovation Award |
| bewildered |
Radix Theatre |
| Disco Pigs |
Pi Theatre |
| Flying Blind |
Axis Theatre Company & Arts Club Theatre Company |
| Hold Your Head Tight |
Boca del Lupo |
| The One That Got Away |
The Electric Company |
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